Composing with Quantum Information: Aspects of Quantum Music in Theory and Practice
Keywords:
Quantum Music, quantum scales, probability music, quantum narratives, choreomusicology, quantum music theoryAbstract
Quantum Music is the title of a research project that opened up an opportunity to investigate the relationship between art and science – to be precise, between music and quantum physics. Te idea was to create a platform for innovative work with musical composition and musical instruments inspired by the theories of quantum mechanics. Te further development was carefully put into the hands of the different members of the project with such different competences as sound design, physics, musical live performance, composition, light design and musicology. In this connection, I fulflled the role and interest of the composer as well as representing the performing arts (dance and acting). Te aim of my participation was to show how collaboration between music and science could result in a development of different functional approaches to compositional strategies in general and give a new perspective for the artistic thinking in music as well as in the performing arts in general. Tis article is writen as a part of an artistic research and the ideas, statements and conclusions presented in it are to be understood as being directly linked to creative work. But indeed, I also hope this text will provide inspiration to approach music in a new way, both for listeners, musicologists, musicians and other performing artists.
References
Cage, John (1961) Silence. Lectures and Writings. Middletown: Wesleyan University Press.
Schommers, Wolfram (1998) Te Visible and the Invisible: Mater and Mind in Physics. Munich: World Scientifc.
Uhland, Ludwig (1980) “Freie Kunst.“ Werke. Band 1. München: Winkler, 34–35.
Further reading
Burrows, Jonathan (2010) A Choreographers Handbook. Abingdon: Routledge.
Burwell, Jennifer (2018) Language and the Migration of Scientifc Concepts. Cambridge (MA): Te MIT Press.
Helweg, Kim (2017) “Dalla Sinfonia al Plié. Osservazioni sulla pratica coreomusicale.“ Il corpo nel suono 1, Roma: Aracne editrice, 77–87.
Kirchin, Basil (2017) “Basil Kirchin on Quantum Music.“ BBC Radio 3 – Late Junction, http://www.bbc.co.uk/programmes/p04s9hv6
Mason, Paul H. (2011) Music, Dance and the Total Art Work: Choreomusicology in Teory and Practice. North Ryde: Macquarie University.
Mølmer, Klaus (2010) Atomernes Vilde Verden. Århus: Århus Universitets Forlag.
Putz, Volkmar and Svozil, Karl (2015): “Quantum Music.“ In Sof Computing – A Fusion of Foundations, Methodologies and Applications. Berlin: Springer, 1–5.
Turner, Frederick (2012) “Quantum Teory and the Arts.“ American Arts Quarterly 2, http://www.nccsc.net/essays/quantum-theory-and-arts
Scores
Cage, John (1952) 4’33“ Edition Peters #EP6777.
Helweg, Kim (2016) BEC Music Concerto No 3 for cello and orchestra. Ankerstjerne Music.
Helweg, Kim (2017) Super-Position version#1 for two pianos. Ankerstjerne Music.
Ligeti, György (1968) Poème symphonique for 100 metronomes. Boosey & Hawkes.
Ligeti, György (1998) Etudes for piano solo. Schot Music.
Reich, Steve (1968) Pendulum Music for microphones, amplifers, speakers and performers. Boosey & Hawkes.
Strauss, Richard (1979) Till Eulenspiegels lustige Streiche for symphony orchestra. Dover Publications.
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