MUZIKOLOGIJA-MUSICOLOGY
https://muzikologija-musicology.com/index.php/MM
<p>Journal Summary</p> <p>Journal Muzikologija-Musicology (ISSN 1450-9814, eISSN 2406-0976) is a peer-reviewed academic journal established in 2001 that promotes contemporary Serbian musicological and ethnomusicological research in international circles; at the same time, by including contributions of eminent foreign scholars, it has become an important and reliable source on contemporary musicological and ethnomusicological scientific tendencies and knowledge around the world. It is dedicated to music research as an aesthetical, cultural, historical and social phenomenon, with a primary focus on musicological and ethnomusicological research. The Journal also welcomes approaches from diverse scientific disciplines (history, history of art and literature, ethnology, anthropology, sociology, communicology, semiotics, music psychology etc.) as well as interdisciplinary projects.<br />Three sections make up the backbone of the magazine. The Main Theme contains original articles related to a specific musicological or ethnomusicological topic. The Varia section contains scientific studies from a wider circle of thematic areas relevant to the artistic, vernacular, and ecclesiastical music traditions. The third section – Scientific Reviews and Polemics – comprises reviews of various musicological and ethnomusicological publications and reports on scientific meetings.<br />Until 2011 the journal was published annually. Due to an increasing interest among local and international contributors, the Editorial Board decided to start publishing two issues per year (June and December), both in print and in open-access digital format.<br />The Journal is indexed in the Web of Science, SCOPUS, ERIH PLUS, DOAJ, ProQuest, DoiSerbia, RILM, and in the List of Scientific Journals Categorization of the Ministry of Science, Technological Development and Innovation of the Republic of Serbia (M23). </p> <p><br />Publisher: Institute of Musicology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia</p> <p>Address: Knez Mihailova 36/IV, 11000 Beograd, Republika Srbija</p> <p>Contact: journal.musicology@gmail.com</p>Institute of Musicology of the Serbian Academy of Sciences and Artsen-USMUZIKOLOGIJA-MUSICOLOGY1450-9814<div id="deed-rights" class="row" dir="ltr"> <div class="col-sm-offset-2 col-sm-8"> <h3> You are free to:</h3> <ul class="license-properties"> <li class="license share"><strong>Share</strong> — copy and redistribute the material in any medium or format.<br />The licensor cannot revoke these freedoms as long as you follow the license terms.</li> </ul> </div> </div> <div class="row"> </div> <div id="deed-conditions" class="row"> <h3> Under the following terms:</h3> <ul class="license-properties col-md-offset-2 col-md-8" dir="ltr"> <li class="license by"> <p><strong>Ауторство</strong> — You must give <a id="appropriate_credit_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by-nc-nd/3.0/rs/" data-original-title="">appropriate credit</a>, provide a link to the license, and <a id="indicate_changes_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by-nc-nd/3.0/rs/" data-original-title="">indicate if changes were made</a>. <br />You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.<span id="by-more-container"></span></p> </li> <li class="license nc"> <p><strong>Некомерцијално</strong> — You may not use the material for <a id="commercial_purposes_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by-nc-nd/3.0/rs/" data-original-title="">commercial purposes</a>.<span id="nc-more-container"></span></p> </li> <li class="license nd"> <p><strong>NoDerivatives</strong> — If you <a id="some_kinds_of_mods_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by-nc-nd/3.0/rs/" data-original-title="">remix, transform, or build upon</a> the material, you may not distribute the modified material.<span id="nd-more-container"></span></p> </li> </ul> </div> <div class="row"> <ul id="deed-conditions-no-icons" class="col-md-offset-2 col-md-8"> <li class="license"><strong>No additional restrictions</strong> — You may not apply legal terms or <a id="technological_measures_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by-nc-nd/3.0/rs/" data-original-title="">technological measures</a> that legally restrict others from doing anything the license permits.</li> </ul> </div>As I Remember Now...
https://muzikologija-musicology.com/index.php/MM/article/view/101
<p>To Dr Nadezhda (Nadežda) Mosusova</p>Izaly Iosifovich Zemtsovsky
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2023-12-302023-12-303519519654th IASA Conference and 4th ICTMD Forum
https://muzikologija-musicology.com/index.php/MM/article/view/104
<p>Conference review</p>Marija Dumnić Vilotijević
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2023-12-302023-12-3035175177Jasna Jovićević, Dobro jutro, džezerke: položaj instrumentalistkinja u društvenim praksama džeza.
https://muzikologija-musicology.com/index.php/MM/article/view/98
<p>Book review</p>Mojca Piškor
Copyright (c) 2023 MUZIKOLOGIJA-MUSICOLOGY
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2023-12-302023-12-3035179181Shaping the Present Through the Future: Musicology, Ethnomusicology and Contemporaneity. Editors: Bojana Radovanović, Miloš Bralović, Maja Radivojević, Danka Lajić Mihajlović, Ivana Medić
https://muzikologija-musicology.com/index.php/MM/article/view/99
<p>Book review</p>Nemanja Sovtić
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2023-12-302023-12-3035183187Од злата јабука – свирала у музичкој традицији Србије. / Golden Apple – Frula in the Serbian musical tradition. Уреднице: Светлана Азањац и Драгана Маринковић
https://muzikologija-musicology.com/index.php/MM/article/view/100
<p>CD review</p>Maja Radivojević
Copyright (c) 2023 MUZIKOLOGIJA-MUSICOLOGY
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2023-12-302023-12-3035189191Exploring and Emphasising Women’s Voices at Sacrum Profanum Festival in Krakow
https://muzikologija-musicology.com/index.php/MM/article/view/109
<p>Sacrum Profanum festival stands as one of the prominent musical events in Krakow. The festival is recognised for its unique fusion of contemporary classical music with electronic sounds, jazz and other genres. Alongside its artistic and musical endeavours, the Sacrum Profanum festival remains dedicated to social issues, meticulously promoting gender balance in its lineup, and constantly contributing to the social debate about gender equality in the cultural sector in Poland. The main aim of this article is to analyse the presence of women during the 2020 edition of the festival, with special focus on the socio-cultural message conveyed by the female artists (composers and performers) that actively contributed to that edition.</p>Karolina Golemo
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2023-12-302023-12-30351935Music Festivals as a Space for Construction of Local Identities on the example of the manifestation Jazz in the Garden
https://muzikologija-musicology.com/index.php/MM/article/view/108
<p>Based on the several decades-old tradition of presenting jazz through festivals firstly in Yugoslavia, and consequently in Serbia, the Jazz in the Garden manifestation was founded in Belgrade in 2021. The name of the new festival apostrophises the location of the event – “Jevremovac” Botanical Garden. With the anthropological analysis of this manifestation, we will strive to demonstrate how the manifestation in development like this one influences the construction process of one part of Belgrade’s identity through its connections with the local jazz scene. We will also consider the influence of the creation of different perceptions and new meanings of the well-known city space like the Botanical Garden “Jevremovac” in which the festival is held.</p>Marija AjdukLjubica MilosavljevićAna Banić Grubišić
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2023-12-302023-12-30353752Agency Festivals in Serbia: An Introduction
https://muzikologija-musicology.com/index.php/MM/article/view/107
<p>The text is intended as an introduction to the research of the agency festivals Serbia. The term agency festival is explained with examples of international equivalents and an overview of local and regional networks of agency festivals is provided. The most prevalent topics tackled at the agency festivals and, following their content, their significance for contemporary (popular) music beyond music industry goals are presented. The focus is on Kontakt konferencija and Indirekt Showcase festival in Belgrade.</p>Marija Maglov
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2023-12-302023-12-30355366The Festival of Dalmatian Klapa in Omiš as an Example of the Festivalization of Croatian Traditional Music
https://muzikologija-musicology.com/index.php/MM/article/view/106
<p>The term ‘folk music’ in Croatia is closely related to the history of its performance at festivals and other related public events. Festivals (smotre) were an appropriate field of application in the place of canonization of traditional music. Through their existence and activity, various musical genres, styles, and performers were profiled. All of the above will be defined and analyzed through the example that is the focus of this research – the Festival of Dalmatian klapa in Omiš, a festival that formatted, institutionalized, and popularized klapa singing.</p>Joško Ćaleta
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2023-12-302023-12-30356785The Tamburitza Extravaganza and its “Evolution” in the American Tamburitza Musical Ecosystem
https://muzikologija-musicology.com/index.php/MM/article/view/105
<p>The Tamburitza Extravaganza, a musical event in the United States organized by the Tamburitza Association of America (TAA), has presented tambura-based ensembles for over 50 years. At the event, American stylistic variants of Croatian and Serbian music are performed to exuberant diaspora audiences, and musicians are honored for sustaining tamburitza music. Drawing on the author’s experience as an Extravaganza performer, interviews with TAA members, published TAA documents, and published tamburitza sources, the Tamburitza Extravaganza is analyzed as a sui generis music festival using the musical ecosystem model.</p>Mark Forry
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2023-12-302023-12-303587104The Music in Serbia Festival as a “Permanent Social Obligation of Music Workers”
https://muzikologija-musicology.com/index.php/MM/article/view/103
<p>The Music in Serbia festival (Muzika u Srbiji – MUS) was held in Belgrade and other Serbian cities from 1976 to 1991. Presenting contemporary creativity of composers from the former Socialist Republic of Serbia and its two provinces (Socialist Autonomous Province of Kosovo and Socialist Autonomous Province of Vojvodina), as well as works by Serbian authors of older generations, MUS existed as a unique place of valorization and revalorization of domestic art music. Through the analysis of program and organizational strategies, financial aspects, repertoire policy, and forms of dissemination and promotion, this article points not only to the artistic scope but also to the socio-political implications of the Music in Serbia festival.</p>Miloš Marinković
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2023-12-302023-12-3035105126Bogdan Milanković's Contribution to the Development of Musical Culture in Sarajevo between World Wars
https://muzikologija-musicology.com/index.php/MM/article/view/84
<p>Dr Bogdan Milanković was one of the key figures in the musical life of Sarajevo between two world wars. A doctor of Romance philology who spent his working life as a high school teacher, Milanković also served as director and teacher of the District School of Music, president of the Sarajevo Philharmonic, music writer, and violin maker. The article is a contribution to the biography of Bogdan Milanković based on archival sources and historical press, while trying to determine his influence to the development of musical culture in Sarajevo in the interwar period.</p>Fatima Hadžić
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2023-12-302023-12-3035129151Musical Life of Sremska Mitrovica in Socialist Yugoslavia (1945−1991): Preliminary Research
https://muzikologija-musicology.com/index.php/MM/article/view/102
<p>The musical life of Sremska Mitrovica during the period of socialist Yugoslavia is viewed in the light of tripartite division into serious, folk and popular music. Within this division, the diversity of musical events is determined by the legacy of cultural distance between different social classes, but is not explicitly marked by the relationship between art music and other genres which do not reach their aesthetic rank. In addition to serious music, the main area of musical life in Sremska Mitrovica during Yugoslav socialism comprised folk music in the form of an urbanized, institutionalized and festivalized folklore tradition, as well as popular music based on the naturalization of global mass musical culture.</p>Jasna Tanasijević
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2023-12-302023-12-3035153171