Exploring and Emphasising Women’s Voices at Sacrum Profanum Festival in Krakow

Authors

  • Karolina Golemo Institute of Intercultural Studies, Jagiellonian University in Krakow, Krakow, Poland

Keywords:

Sacrum Profanum, agency festivals, Polish contemporary music, female composers, female artists

Abstract

Sacrum Profanum festival stands as one of the prominent musical events in Krakow. The festival is recognised for its unique fusion of contemporary classical music with electronic sounds, jazz and other genres. Alongside its artistic and musical endeavours, the Sacrum Profanum festival remains dedicated to social issues, meticulously promoting gender balance in its lineup, and constantly contributing to the social debate about gender equality in the cultural sector in Poland. The main aim of this article is to analyse the presence of women during the 2020 edition of the festival, with special focus on the socio-cultural message conveyed by the female artists (composers and performers) that actively contributed to that edition.

References

Anderton, Chris. 2009. “Commercializing the carnivalesque: the V Festival and image/risk management”. Event Management 12/1: 39–51.

Andrews, Hazel and Teresa Leopold. 2013. Events and the Social Sciences. Oxford: Routledge.

Bakhtin, Mikhail. 1984. Rabelais and His World. Bloomington: Indiana University Press.

Bennett Andy and Ian Woodward. 2014. “Festivals Spaces, Identity, Experience and Belonging”. In The Festivalisation of Culture, edited by Andy Bennett, Jodi Taylor and Ian Woodward, 11–25. Farnham: Ashgate.

Caudwell, Jayne and Robert E. Rinehart. 2014. “Liminoidal spaces and the moving body: emotional turns”. Emotion, Space and Society. 12: 1–3.

Clarke, Alan and Allan Jepson. 2011. “Power and hegemony within a community festival”. International Journal of Event and Festival Management, 2/1: 7–19.

Connell, Raewyn W. 1982. “Class, patriarchy, and Sartre’s theory of practice”. Theory and Society 11/3: 305–320.

Cummings, Joanne. 2014. “The Greening of the Music Festival Scene: An Exploration of Sustainable Practices and Their Influence on Youth Culture”. In The Festivalisation of Culture, edited by Andy Bennett, Jodi Taylor and Ian Woodward, 169–186. Farnham: Ashgate.

Dąbek, Karolina. 2020. “Krzyki i szepty kobiet”, Sacrum Profnum website, 26/11/2020, https://sacrumprofanum.com/aktualnosci/krzyki-i-szepty-kobiet.

Giddens, Anthony. 1979. Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis. Berkeley and Los Angeles: University of California Press.

Gilmore, David D. 1998. Carnival and Culture: Sex, Symbol, and Status in Spain. New Haven CT: Yale University Press.

Gligorijević, Jelena. 2018. “Rethinking Politics in Contemporary Music Festivals”. Musicology Research Journal 5. Available at: https://www.musichealthandwellbeing.co.uk/publications/cds

Golemo, Karolina and Marta Kupis, eds. 2022. Spaces of Diversity? Polish Music Festivals in a Changin Society. Kraków: Jagiellonian University Press.

Golemo, Karolina. (2023). “Experimenting with adulthood in the time of pandemic: the 18th edition of the Sacrum Profanum festival in Cracow”. In Remaking culture and music spaces: affects, infrastructures, futures, edited by Ian Woodward et al., 165–178. London: Routledge.

Gregorczyk, Tomasz. 2019. “Poszukiwania (Lucia Dlugoszewski), powroty (Julius Eastman) i parytet (48:52). O festiwalu Sacrum Profanum 2019 rozmawiamy z Krzysztofem Pietraszewskim”. Fragile 24/09/2019. https://fragile.net.pl/poszukiwania-lucia-dlugoszewski-powroty-julius-eastman-i-parytet-4852-o-festiwalu-sacrum-profanum-2019-rozmawiamy-z-krzysztofem-pietraszewskim/.

Klimczak, Paweł. 2023. “Formy żeńskie - walka o równość trwa nie tylko w języku, także w świecie muzyki”. Poptown 6/2/2023. https://poptown.eu/formy-zenskie-walka-o-rownosc-trwa-nie-tylko-w-jezyku-takze-w-swiecie-muzyki/.

Kupis Marta and Karolina Golemo. 2022. “Hybrid Festivals? Challenges Facing Cracow’s Festival Scene during the Pandemic”. Kultura i Społeczeństwo 3: 117–141.

Libera, Michał. 2012. Doskonale zwyczajna rzeczywistość. Socjologia, geografia albo metafizyka muzyki. Warszawa: Wydawnictwo Krytyki Politycznej.

Lniak, Agnieszka. 2020. “Sacrum profanum 2020 (relacje)”. Ruch Muzyczny 15 November 2020. https://ruchmuzyczny.pl/article/507.

Matwiejczuk, Piotr. 2020. “Wandalizm sufrażystek”. Ruch Muzyczny 22: 4.

Pielichaty Hanya. 2015. “Festival space: gender, liminality and the carnivalesque”. International Journal of Event and Festival Management 6/3: 235–250.

Plastino, Goffredo. 2003. “Come Into Play: Dance, Music, and Gender in Three Calabrian Festivals”. In Music and Gender: Perspectives from the Mediterranean, edited by Tullia Magrini, 147–167. Chicago: University of Chicago Press.

Sassatelli Monica and Gerard Delanty. 2011. “Festivals in cities, cities in festivals”. In European Arts Festivals. Strengthening cultural diversity, edited by Liana Giorgi et al., 47–55. Brussels: European Commission.

Sharpe, Erin K. 2008. “Festivals and social change: intersections of pleasure and politics at a community music festival”. Leisure Sciences 30/3: 217–234.

Szczecińska, Ewa. 2017. Relacja z festiwalu Sacrum Profanum 2017, archival material from the festival's collection made available by the artistic director of the festival.

Topolski, Jan. 2021. “Dlaczego i dla kogo”, Dwutygodnik 314/8. https://www.dwutygodnik.com/artykul/9643-dlaczego-i-dla-kogo.html?print=1.

Topolski, Jan and Magdalena Pasternak. 2018. “Użyteczne statystyki, ograniczone środki. Rozmowa z Moniką Szpyrką”. Glissando 11 November 2018. https://glissando.pl/wywiady/rozmowa-z-monika-szpyrka/.

Turner, Victor. 1991. The Ritual Process. Structure and Anti-Structure. Cornell University Press.

Wieczorek, Sławomir. 2018. “Łamacze nut. Muzyka i protest w Amsterdamie lat 1968-1969”. In Rozmowy i eseje o muzyce współczesnej, edited by Krakowskie Biuro Festiwalowe, 2–18. Warszawa: Wydawnictwo Krytyki Politycznej.

Youthful Energy. 2020. Kraków Culture/Karnet. Cultural information website of the City Kraków, http://karnet.krakowculture.pl/en/37437-krakow-sacrum-profanum-2020

Żochowska, Wioleta. 2020. “Komponowanie na internet”. Dwutygodnik n. 296, December 2020. https://www.dwutygodnik.com/artykul/9279-komponowanie-na-internet.html.

Żyła, Monika. 2018. „W stronę nowego, lepszego festiwalu”. Glissando 13 February 2018. https://glissando.pl/artykuly/w-strone-nowego-lepszego-festiwalu/.

Downloads

Published

30.12.2023

How to Cite

Golemo, Karolina. 2023. “Exploring and Emphasising Women’s Voices at Sacrum Profanum Festival in Krakow”. MUZIKOLOGIJA-MUSICOLOGY, no. 35 (December). Belgrade, Serbia:19-35. https://muzikologija-musicology.com/index.php/MM/article/view/109.

Issue

Section

Articles