Academic Music Journal Publishing ın Türkiye:A Field-Theoretical Analysis of Institutionalization, Symbolic Capital,and Editorial Structures
Keywords:
music journals, Türkiye, Pierre Bourdieu’s field theory, DergiPark, editorial networkingAbstract
This article examines music journal publishing in Türkiye through Pierre Bourdieu’s field theory. While briefly outlining developments since the nineteenth century, its primary analytical focus is the post-1980 period, marked by the institutionalization of academia and the rise of peer review culture. The article specifically traces post-2000 transformations driven by digitization, open access, and indexing systems, showing how standardized editorial workflows formalize relationships between journals and symbolic capital. It conceptualizes editorial networking as a field-level practice through which language policy, reviewer mobility, and networked authorship operate as instruments of internationalization.
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