Ontological Hermeneutics as a Catalyst of Musicological Discourse: A Few Sketches

Authors

  • Igor Radeta Faculty of Music, University of Arts, Belgrade

Keywords:

ontology, hermeneutics, discourse, musicology, music existence

Abstract

From the invention of language, the phenomenon of Greek hermēneía to biblical exegesis, interpretation is one of the crucial paradigms of culture and civilization. Joined with general ontology, hermeneutics offers original and intuitive theoretical insights. In this paper the author proposes and examines several possibilities of productive influence of ontological hermeneutics on musicological discourse. Starting with the dilemma concerning the relationship on the axis text—being, the first answers have been found in different definitions of discourse. A more elaborate debate continues in the field of ontology, from Aristotle to metaontology. Finally, cross-references that intersect types of hermeneutics/ontology and musical phenomena are offered.

References

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Ингарден, Роман (1991) Онтологија уметности. (Прев. Петар Вујић – Љубица Росић). Узелац Милан (ур.). Нови Сад: Књижевна заједница Новог Сада. Ingarden, Roman (1991) Ontologija umetnosti. (Prev. Petar Vujić – Ljubica Rosić). Uzelac Milan (ur.). Novi Sad: Književna zajednica Novog Sada. [Onthology of Art]

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Published

17.10.2024

How to Cite

“Ontological Hermeneutics As a Catalyst of Musicological Discourse: A Few Sketches”. 2024. MUZIKOLOGIJA-MUSICOLOGY, no. 26 (October): 183-92. https://muzikologija-musicology.com/index.php/MM/article/view/191.

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