The Three Seasons – Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ or: The Anti-Event, the Avant-Garde, and the Beginning of Bulgaria’s New Folklore Wave

Authors

Keywords:

Cold War, music, transsystemic exchange, music analysis, music historiography

Abstract

This article deals with the events of 1968 in Bulgarian musical culture. Departing from recent Bulgarian discourses that have emerged in the new millennium and often regard Bulgarian responses to the Prague Spring as nearly non-existing, a closer look at music and the arts reveals a more detailed picture. Here, ‘1968’ is especially interesting since it saw the beginning of a Bulgarian New Folklore Wave that challenged existing compositional models for adapting folk music. Furthermore, right before the military intervention in Czechoslovakia in August, the Bulgarian capital Sofia became a center of international attention for hosting the 9th World Festival of Youth and Students. Finally, a look at a series of infamous party meetings held at the Union of Bulgarian Composers in November 1968 reveals that unknown protagonists managed to destroy paper evidence that could have shed a better light at the events of this year. 

References

Anon. (1968) “Weltjugendtreffen: Schöne Schweine” [World Youth Festival: Beautiful Pigs], Der Spiegel No 32, 4 August 1968, URL: <https://www.spiegel.de/politik/schoene-schweine-a-e372e6a9-0002-0001-0000-000046020798> [accessed on 5.11.2021].

Bachtin, Michail (1987) Rabelais und seine Welt: Volkskultur als Gegenkultur [Rabelais and His World: Popular Culture as Counter Culture], Frankfurt am Main: Suhrkamp.

Baeva, Iskra (2018) “Zashto nyamame disidentsko dvizhenie sled Prazhkata prolet” [Why Didn’t We Have a Dissident Movement after Prague Spring]. Trud [Labor], uploaded 22 August 2018, URL: <https://trud.bg/защо-нямаме-дисидентско-движение-сле/> [accessed on 5.11.2021].

BCP CC Secretariat (1968) “Protokol ‘A’ No. 255 na zasedanieto na Sekretariata na CK na BKP ot 14 May 1968 godina” [Protocol “A” No. 255 of the Bulgarian Communist Party’s Central Committee Secreteriat’s Meeting on 14 May 1968], Central State Archive 1B/36/131, available online, URL: <http://1968bg.com/images/stories/PDF/PDF_BCP_Archives/5_14_1968_PROTOKOL.pdf> [accessed on 5.11.2021].

Becker-Naydenov, Patrick (2021 [forthcoming]) “… näher ans Leben”? Volksmusikrezeption in der Instrumentalmusik der bulgarischen Nachkriegsavantgarde [“… closer to life”? The Bulgarian PostWWII Avant-Garde’s Folk Music Reception in their Instrumental Music]. Series ‘Musik und Diktatur,’ vol. 3. Münster and New York: Waxmann Verlag.

BUW [speaker: Petr Pujman] (1968) “[Privetstvie: Izkazvane]” [Greeting: Statement at the BUW’s First Congress on 20 May 1968], 22:36-minute magnetophone tape recording, available online on: 1968: Prazhka prolet—Sofiysko lyato [1968: Prague Spring—Sofia Summer], URL: <http://1968bg.com/index.php?option=com_content&task=blogcategory&id=6&Itemid=14> [accessed on 5.11.2021].

Gospodinov, Georgi, (2008) “1968—spomeni ot edna nesluchila se godina” [1968—Memories from a Year that Didn’t Happen], Liberalen pregled [Liberal Review], uploaded 7 August 2008, URL: <http://www.librev.com/index.php/discussion-bulgaria-publisher/318-1968-> [accessed on 5.11.2021].

Iliev, Konstantin (1997) “Bitie i tvorchestvo” [Being and Work]. In id., Slovo i delo [Word and Deed], Valentina Ilieva (ed.), Sofia: LIK, 145–339.

Khlebarov, Ivan (1997) “1968 godina ili opităt da se smazhe bălgarskata muzika” [1968, or: The Attempt to Crush Bulgarian Music]. In id., Nay-novata bălgarska muzikalna kultura: Mitove i realnost 1944–1989 [The Latest Bulgarian Music Culture: Myths and Reality 1944–1989], Sofia: Artkoop, 115–124.

Mika, Bogumila (2008) “Anti-Optimistic or Allusive? Polish Art Music after 1968”. In Beate Kutschke (ed.) Musikkulturen in der Revolte: Studien zu Rock, Avantgarde und Klassik im Umfeld von “1968” [Musical Cultures of Revolt: Studies on Rock, Avant-Garde, and Classical Music around “1968”], Stuttgart: Steiner, 225–233.

Petrova, Angelina (2003) Kompozitorăt Lazar Nikolov [The Composer Lazar Nikolov], Sofia: Institut za izkustvoznanie BAN (Institute for Art Studies, Bulgarian Academy of Sciences).

Redepenning, Dorothea (2008) Geschichte der russischen und sowjetischen Musik [History of Russian and Soviet Music], vol. 2: Das 20. Jahrhundert [The 20th Century], part 2, Laaber: Laaber.

Spasov, Ivan (2004) “Za nov prochit na istoriyata na bălgarskata muzika sled voynata (Za belezite i cherni petna v nacionalnata ni muzikalna istoriografiya” [For a New Reading of Bulgarian Music History after the War (On the Scars and Black Spots in Our National Music Historiography)]. In id., Izpoved nae din kompozitor [A Composer’s Confession], Plovdiv: Zhanet 45, 158–167.

Stoyanova, Vanina (2008) “Yubiley: Neizvestni fakti za nay-burnata godina” [ Jubilee: Unknown Facts about the Stormiest Year], Sega [Now], uploaded 11 August 2008, URL: <http://old.segabg.com/article.php?id=377922> [accessed on 5.11.2021].

Yurchak, Alexei (2006) Everything Was Forever, Until It Was No More: The Last Soviet Generation, Princeton and Oxford: Princeton University Press.

Downloads

Published

30.12.2021

How to Cite

“The Three Seasons – Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ Or: The Anti-Event, the Avant-Garde, and the Beginning of Bulgaria’s New Folklore Wave”. 2021. MUZIKOLOGIJA-MUSICOLOGY, no. 31 (December): 49-58. https://muzikologija-musicology.com/index.php/MM/article/view/6.

Similar Articles

1-10 of 328

You may also start an advanced similarity search for this article.