Being a Modern Serbian Composer in the 1930's: The Creative Position of Ljubica Marić
Keywords:
Ljubica Marić, Alois Haba, music of the thirties, atonality, athematicismAbstract
Ljubica Marić belongs to those rare Serbian composers who were fully involved in the international developments of modern music during the thirties. Her output shows that she was able to take over some dominant ideas of the period and transform them in a personal way. In the article are investigated all four of her preserved works composed before the outbreak of World War 2. Among them are two compositions that were until recently believed to be lost: Longinfogr the Girl for choir (1929) and Music for orchestra (1932).
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